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    Choosing a CES production partner: the brand-side checklist

    CES is the most credentialing-heavy show on the North American calendar. Here's what separates a production partner from a print vendor.

    ·8 min

    CES exposes every weakness in a production chain. Union labor at LVCC, hard load-in windows, drayage costs that dwarf the print bill, and a press cycle that punishes booth misfires. Here's the brand-side checklist for choosing a real CES production partner.

    LVCC credentialing is non-negotiable

    Your partner needs current LVCC credentials, an EAC (Exhibitor Appointed Contractor) certificate of insurance naming Freeman and LVCC as additional insureds, and named union-trade relationships for rigging and electrical. Ask for current documents before contracting - not a promise to provide them.

    Drayage math changes your spec

    LVCC drayage runs $90–$140 per cwt. A heavy modular booth can cost more to move from the freight dock to your booth space than to ship from Vegas to your warehouse. A real partner specs lightweight SEG and tension-fabric components specifically to control drayage - it's a line item they should own.

    On-site reprint capacity wins shows

    Sponsor logos change at midnight. Backdrops get damaged by forklifts. Pantone gets called out by a brand lead Tuesday morning. Your production partner should have a Vegas facility with active capacity through the show, not a national vendor flying parts in from another market.

    Post-show breakdown and storage

    Ask: who breaks down the booth, who stores reusable hardware between shows, and what's the per-show refurb cost. A partner that builds for reuse cuts your next CES bill by 30–50%.

    Choosing a CES production partner: the brand-side checklist FAQ

    How early should we contract for CES?+
    By September for January CES. Vegas production capacity locks for CES in October. Booths above 20x20 with hanging signs need rigging approval submitted to LVCC by mid-November.
    Can we use our existing booth hardware?+
    Yes. We refurb existing SEG frames, reprint graphics to current brand standards, and store between shows. Refurb is typically 30–50% the cost of new build.

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